Barbara Levine and Paige Ramey here! We are artists who collect and archivists who curate. We started PROJECT B in 2000 using our extensive archive of vernacular photography as the basis for artwork, exhibitions, publications and collaborations with other artists.
Our art and approach cross traditional boundaries and are inspired by the intersection of fine art, vernacular imagery and material culture with the unavoidable telling of personal stories. We are dedicated to collecting and preserving vintage vernacular photography, and equally fascinated by combining anonymous photos with contemporary artistic methods and technologies to reinterpret the experience of the photographic image.
Barbara Levine is an artist, collector, curator and author. Her photographic collages with Martin Venezky were acknowledged with a 2017 LensCulture Exposure Award and she and Paige Ramey regularly organize exhibitions for Cherryhurst House in Houston, including the exhibition and self published photo book, CAMERA ERA (co authored by Venezky and named a 2014 best photobook by photo-eye). As an author, Barbara's books, published by Princeton Architectural Press, include People Knitting: A Century of Photographs (2016); Finding Frida Kahlo (2009), Around The World: The Grand Tour in Photo Albums (2007); and Snapshot Chronicles: Inventing the American Photo Album (2006). Her collection of early vernacular photograph albums was acquired by the International Center of Photography in New York. Trained as a photographer at the San Francisco Art Institute followed by a graduate degree in Museology, Ms. Levine served as deputy director of The Contemporary Jewish Museum, and as exhibitions director at the San Francisco Museum of Modern Art.
Paige Ramey came to PROJECT B with over twenty years experience running arts organizations following her career in dance and video art in NYC. Since 2014 she has been consulting and co-curating for Cherryhurst House, an artists residence and exhibition space in Houston, Texas. Paige also has an extensive background in the preservation of pre-digital and time-based media. During her 15 years as Programs Director at the Bay Area Video Coalition (BAVC), she directed a seminal program in the field of analog video preservation, working with museum conservators, archivists and the Library of Congress to establish conservation practice standards for video repositories throughout the world. She is the writer/director of Playback: Preserving Analog Video, an interactive DVD set funded by the National Endowment for the Arts. Her formative experience as both a performer and a videographer in New York’s alternative dance/performance heyday—working with influential artists such as Elizabeth Streb and Yvonne Rainer—has fueled her lifelong commitment to preserve and distribute unique cultural expressions of a pre-digital world.